The Saga Continues

Saturday, March 9, 2019

Jimi Hendrix vs Wu-Tang Clan BLACK GOLD


House Of Flying Daggers
Featuring – Ghostface*, Inspectah Deck, Method Man, Raekwon

When The Fat Lady Sings
Featuring – GZA

Collector's Material

Special Delivery
Featuring – Ghostface*

Last Call
Featuring – Master Fuol, Ol' Dirty Bastard

P.L.O. Style
Featuring – Carlton Fisk, Method Man

The Wind Cries Mary
Featuring – GZA, U-God

The Experience

I Don't Live Today
Featuring – Ghostface*, RZA

10 Bricks
Featuring – Cappadonna, Ghostface*, Raekwon

Star Spangled Banner

Hey Joe
Featuring – Gab Gotcha

Tooken Back
Featuring – Ghostface*, Jacki-O

It's Not A Game
Featuring – Baby Thad, Chip Banks, RZA, Raekwon, Rhyme Recka*, Superb

The Switch Up
Featuring – GZA, Ghostface*, Inspectah Deck, Masta Killa, Method Man, RZA, Raekwon

Featuring – GZA

Kiss The Sky
Featuring – Method Man

Dirty Fox
Featuring – Ol' Dirty Bastard

Featuring – Ghostface*

I Can't Wait
Featuring – Ol' Dirty Bastard

Summin' Gotz To Give
Featuring – Timbo King

Street Rap
Featuring – Inspectah Deck

Burning The Midnight Lamp
Featuring – Young Dirty Bastard

What's Happenin'
Featuring – Busta Rhymes, Method Man

The Hood
Featuring – Raekwon

Friday, March 1, 2019

Tupac Took Inspectah Deck's Verse Off "Got My Mind Made Up" & Redman Never Got Paid For His Feature

HipHopDX interviewed Redman recently and asked him about his song on "All Eyez On Me" with Tupac, Method Man, Kurupt & Daz titled "Got My Mind Made Up" which he never received any publishing for or a plaque. Here's a fun fact.. Lady Of Rage And Inspectah Deck were both originally featured on the song as well but Tupac rapped over Lady Of Rage's part and cut out Inspectah Deck's verse at the end. We also dive into the origins of how this song came to be. Enjoy! 

[via HipHopDX]

Wednesday, February 27, 2019

Wu-Tang Clan Announce 25th Anniversary Concert Date

Even today, over two decades after the arrival of Wu-Tang Clan's game-changing Enter The 36 Chambers album, the Clan remains in the front. Perhaps not in the current public eye, but insofar as influence is concerned, the Wu shall never be removed from the frontlines. Now, with their classic debut having turned twenty-five last November, the Wu-Tang Clan have decided to commemorate the occasion by taking the stage. As it happens, all living members of the Clan shall be blessing Chicago's Aragon Ballroom on June 1st.

Tickets are set to go on sale Friday, and since this looks to be a hot ticket item, be sure to keep an eye on this link - the tickets go up at 10AM Central. Should you be eager to catch The RZA, the GZA, Young Dirty Bastard (filling in for the late ODB), Inspectah Deck, Raekwon the Chef, U-God, Ghostface Killah, and the Method Man live and direct, rest assured that you are not alone. In the meantime, take a second to revisit our own reflection on the iconic project here.

Tuesday, February 19, 2019

9th Prince feat. Trife diesel & Jojo Pellegrino "STOP" (OFFICIAL VIDEO)

This is the second NEW Video from 9th prince " MADMAN'S REVENGE " EP. "STOP" PRODUCED BY 9TH PRINCE for GRANDDADDY FLOE ENT. 

"MADMAN'S REVENGE" EP Available Now click on the Link to purchase.

Tuesday, February 12, 2019

Friday, February 8, 2019

Wu-Tang at Sundance: An American History

It’s the week of the Sundance Film Festival, and Sacha Jenkins walks into the Entertainment Studios Lounge in Park City, Utah, wearing a Goose Country leather V-Bomber. It’s the same coat made famous by the late New York drug dealer/folk hero Larry Davis. Tucked under his leather-cloaked arm is a record. It’s the first album from The 1865, an all-black rock n’ roll band singing and playing from a viewpoint of post-Civil War emancipated slaves. The album is called Don’t Tread on We. Jenkins is the lead guitarist in the band. Everything Jenkins does has a purpose, a symbol, or a worthwhile means to an end in the name of black culture and American history. Which is exactly why he was tapped as the director of Wu-Tang Clan: Of Mics and Men, the new four-part episodic documentary that unfurls the (extremely personal, never-before-seen) history of a group of New York natives that redefined a genre and changed the economics of the music industry. Jenkins gets it. To him, Wu-Tang isn’t just about showing an audience the group’s untold story—it’s about understanding history.

“History is our frenemy,” Jenkins says, sitting in the sun on a deck overlooking Main Street. “People struggle with what's in front of them. But if you just look behind you and you look at the shit that happened and how it was resolved, it might give you some tools to help you deal with what's in front of you. It’s easy to think, ‘this president sucks. I'm stuck. He's racist.’ But if you look back, you'll see the same things and you will see people just like you who had to deal with it and found a way to deal with it—and you can do that, too.”

Finding a way to “deal with it” is exactly what the 10 founding members of the Wu-Tang Clan did 25 years ago, when “Protect Ya Neck” hit airwaves and Enter the Wu-Tangdropped. For the first time, a mainstream audience heard what it was like to be poor, to live under the thumb of racism, to sell drugs, to lose family and friends, to watch abuse, and to feel like nothing was going for you unless you were going for them.