SO MANY DETAILZ - TURNPIKE IKE KASH ChuNKY

Sunday, March 29, 2015

PROTECT YA NECK TEE


COP IT HERE:
http://teespring.com/protect-ya-neck




COP IT HERE:
http://teespring.com/protect-ya-neck

Thursday, March 26, 2015

Wu-Art Thursday #142 - ODB Edition

Every Thursday we will be posting up pics of Wu-Tang artwork from fans, artists and aliens. If you have artwork you would like to share, please email us at: WuArtTats@gmail.com


















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Monday, March 23, 2015

FREE WU APP


download your FREE WUTANG APP now 
IOS- http://bit.ly/wyw-ios or 
Android- http://bit.ly/wyw-and

Wu-Tang’s RZA Talks The ‘Blurred Lines’ Verdict



While at SXSWWu-Tang’s RZA shared his thoughts on the "Blurred Lines" verdict and provided a solution that might curb a potentially slippery slope.

In the case of "Blurred Lines", RZA isn't exactly sure who's side to take: "In that particular case, that song does sound pretty, pretty close to the original, yo. And in a case like that, the best thing to do is give compensation to the original copyright holder." Some compensation is necessary, but there needs to be a limit.

"Art is something that inspires the future. If you utilize somebody’s artistic expression blatantly, to [the point] where it’s an identifiable thing, then there should be some sort of compensation to the person who inspires you,” says the legendary Wu-Tang producer.

But RZA himself has been in situations in which copyright holders have demanded excessive compensation: “I’ve been in situations where I’ve sampled something and the original copyright holder took 90 percent.” The sampler is, indeed, an instrument, and it's unfair to demand maximum compensation based on a sample alone.

RZA's solution: "So if I was in a situation of political power, I would be like, 'Look—there’s a 50 percent statutory maximum, and then we work our way down from that based on the context of the song and based on its usage.'"



[via THE DAILY BEAST]